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I've been tattooing for just over 3 years, and making art for most of my life. In my late teens I became fascinated with tattooing and started getting tattooed regularly in my early twenties. Being in tattoo shops always gave me so much inspiration to work harder and make more art. I had never in my life been exposed to such dedicated practicing artists as I was when I started getting tattooed. In my early adulthood, I turned to nightlife and performing as a DJ as an easy fix to gratify my creative impulses, but I knew that was a means to an end and definitely not a sustainable lifestyle for an introvert like me. When I discovered tattooing, I felt like I had found my people and I wanted to break free from the chaotic lifestyle of the Melbourne club scene. I put my head down and made more art than ever. It was a very isolating and sobering time in my life. I had several conversations with Eugene, an artist I was getting tattooed by regularly, about starting my own career as a tattooer, and eventually he reached out to me when Heretic was looking to take on a new apprentice. I didn't even get an interview the first time I applied, but a few months later I applied again and was taken on board. Having Eugene and also Lilli as friends on the inside definitely helped me get to where I am today. 

I don't know what I would call my style. Blackwork folk surrealism? I have so many influences and I can't really pinpoint an exact style that I identify with. I can never tattoo enough birds. 

I feel my best work is bold lined, with high contrast and strong use of negative space. Before tattooing I could never pinpoint an exact style in my art. In my first year or two tattooing I would tattoo a bit of everything. Only in the past 6 months I'd say I have found my groove in one style, but only through tattooing many different styles. Slowly my designs have evolved based off of what I enjoy doing the most. But I still feel as though my style will continue to evolve and grow as I do. 

There are so many. I feel like my most referenced styles of art are Ukiyo-e era Japanese compositions (Hokusai, Hiroshige), American traditional tattooing styles, 1800s era wildlife illustration and botanical art, Art Nouveau (in particular Erté, Beardsley etc.) and of course I am inspired by many tattoo artists, some who still tattoo today and some who I only know by legacy. I have said before that I am inspired by tattooing as a medium in general. When I am designing a tattoo or flash design, it is important for me to ask myself: "Is this tattoo for everybody? Can I see this design working on all bodies and all skin tones? Will this tattoo be recognisable and visible from across the room?".

I’ve been tattooing for 4 years now. I’ve been so lucky to work alongside incredible artists from the get go, my experience in the industry has been amazing.

I work in black, dot work style. I love making large-scale freehand botanicals and animal pieces. The bigger the better.

My influences are constantly shifting. I take inspiration from nature, music, my friends and family, as well as other artists. 

I have been tattooing for 14 years. The industry was very different when I started, it took a lot of hard work, persistence and a lot of getting tattooed before you were allowed to ask any questions. 

Ive always worked in street shops so i will do any style of tattoo, though my preferred style would be American traditional. Lately I’ve been doing a lot of fine line too, that’s pretty hip at the moment. 

The influences for the gloves really come from my love of vintage western leather belts and vintage motorcycle accessories. The jewelled an pattern studs give that vibe. I didn’t want to make them overly flashy with paint so i went with a simple snake design on the tops. I painted sigils of control and protection on the palms which will bring the owner good luck while riding.

I’ve been tattooing for around 4 years now. I started my apprenticeship in 2014 but it had been an on and off kind of gig throughout the first few years while I was caring for my mum. I always wanted to be a tattoo artist but I don’t think I had the confidence back then to do anything about it. I then became friends with an artist who could see how much I wanted to do it, so he inspired me to get into and helped me the job as an apprentice where he was working. So I’m pretty grateful it happened that way as i don’t know where I’d be now if it wasn’t for him.

I love blackwork. Dot work. A mixture of styles I think. I mainly love doing a lot of botanical style tattoos. And pretty keen to do more larger scale freehand botanicals. I also love BDSM erotic fetish art for eg: Shibari girls (girls tried up in rope). Along with many of things.

Not only are there many artists that inspire me such as @Sad_amish_tattooer, for their blackwork fine-line BDSM bondage erotic illustrative look and Honey Tripper for her amazing freehand botanicals, along with so many other artist right here in Melbourne (too many to name).
I also get so much inspiration from nature and walking in nature, also my friends in the kink community.. such as riggers and their bunnies working with rope and creating beautiful rope art on the human body.

I have been tattooing around 9 years. I had a helping hand getting my foot in the door from Clyde Peri and ever since ive found alot of like minded peers in the industry that have become good friends over the years. 

I work in Black and Grey using fine lines to bring together soft, intricate details with more bold, hard and sharp elements in the hopes of imbuing this feeling of beauty and strength in people who wear my artwork.

Im pretty nostalgic about tattoo history and currently enjoy looking at tattoos from the 80s and 90s for inspiration. I am always excited and inspired by people that make bold expressive statements with their body adornment that maybe signifies personal growth or transformation from within, people who say 'fuck it, this is me!'  As we become accustomed to certain ideas and placements i enjoy trying to imagine and attempt what that next risque tattoo might look like.